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首页> 外文期刊>Exchanges: The Warwick Research Journal >From the Advent of Multiculturalism to the Elision of Race: The Representation of Race Relations in Disney Animated Features (1995-2009)
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From the Advent of Multiculturalism to the Elision of Race: The Representation of Race Relations in Disney Animated Features (1995-2009)

机译：从多元文化主义的出现到种族的淘汰：迪斯尼动画中种族关系的表现（1995-2009）

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As one of the most powerful purveyors of entertainment in the world, the Disney company has produced blockbuster films, including animated features that have enjoyed enduring popularity. Reflecting and shaping to some extent American popular culture and ideology, they have left vivid images in our memory. Arguably, one of Disney’s most ubiquitous symbol is the beautiful white princess. The representation of race relations in Disney films has always been problematic, sometimes sparking heated debates: non-white characters were either absent or stereotypically portrayed. Nonetheless, in parallel with the advent of multiculturalism in the 1990s, a series of films have foregrounded a new approach on these portrayals, the most notable being Pocahontas (1995), Atlantis (2001), and The Princess and the Frog (2009). In this article, I will examine the evolution of the representation of race, focusing on the film texts and their historical and cultural context, production history, and critical reception. I will argue that the apparent messages of tolerance and promotion of multiculturalism were accompanied and slowly replaced by a colour-blind erasure of race.
机译：作为世界上最强大的娱乐提供者之一，迪斯尼公司制作了轰动一时的电影，其中包括受欢迎的动画电影。它们在一定程度上反映和塑造了美国的流行文化和意识形态，在我们的记忆中留下了生动的图像。可以说，迪士尼最普遍的象征之一是美丽的白公主。迪斯尼电影中种族关系的表述一直是有问题的，有时会引发激烈的辩论：非白人人物要么缺席，要么刻板刻画。然而，与1990年代多元文化主义的到来同时，一系列电影为这些描写提出了一种新的方法，其中最著名的是Pocahontas（1995），Atlantis（2001）和The Princess and the Frog（2009）。在本文中，我将研究种族表现形式的演变，重点是电影文本及其历史和文化背景，生产历史和评论接受。我将争辩说，宽容和促进多元文化主义的明显信息是伴随种族歧视而逐渐消失的。

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