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Hamlet, Performance and Chaotic Cultural Networks

机译:哈姆雷特,表演和混沌文化网络

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Since the 1960s, chaos theory has become an important but controversial tool used by scientists and mathematicians to describe physical or theoretical systems or networks. It explains how the simple can generate the complex. Its central tenets can also provide an alternative language and means of literary interpretation. This article will explore how the principles of chaos theory can be used to close read and systematise various aspects of the language and performance of Shakespeare. The argument is built upon an analysis of ‘Hamlet’, in an effort to understand the play and its reproduction as the evolution of interconnected complex networks. Various aspects of the text will be discussed, including its language, structural and character patterning, and its reproduction through performance and cinematic adaptation. Each of these topics, and the characters, devices or ideas they discuss, constitute nodes of the complex network of ‘Hamlet’ as both text and idea.Responding to the cultural analysis of other scholars, this article uses ‘Hamlet’ as an ideal example of how the appropriation of scientific language can defamiliarise a particular literary or dramatic artefact. This allows fresh interpretation and understanding of its location within the broader networks of theatre and culture. I suggest the possibilities of close reading literary works through the lens of chaos and suggest how they might be applied and developed in conjunction with other texts, media or performances.
机译:自1960年代以来,混沌理论已成为科学家和数学家用来描述物理或理论系统或网络的重要但有争议的工具。它解释了简单如何生成复杂。它的中心宗旨还可以提供替代语言和文学解释手段。本文将探讨如何用混沌理论的原理来封闭阅读并使莎士比亚语言和表演的各个方面系统化。该论点建立在对“哈姆雷特”的分析的基础上,旨在将游戏及其再现理解为相互连接的复杂网络的发展。将讨论文本的各个方面,包括其语言,结构和字符模式,以及通过表演和电影改编而进行的复制。这些主题以及它们讨论的字符,设备或思想中的每一个,都构成了“哈姆雷特”复杂网络的节点,既是文本又是想法。针对其他学者的文化分析,本文以“哈姆雷特”为例。科学语言的使用如何诽谤特定的文学或戏剧作品。这样可以对剧院和文化的更广泛网络中的位置进行全新的解释和理解。我建议通过混乱的视角来仔细阅读文学作品,并建议如何将它们与其他文本,媒体或表演结合起来应用和发展。

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