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Copyright and the architecture of digital delivery

机译：版权和数字交付架构

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Copyright law is largely a response to new media: from the printing press through radio, photocopiers, and digital computers, changes in copyright reflect the increased public availability of information reproduction technologies. But while the exclusive rights conferred by copyright are shaped by the technologies they respond to, the opposite is also true: technology is shaped in response to the requirements of copyright, altering or innovating designs to either avoid or accommodate the demands of the law. Nowhere has this dynamic interaction been more apparent than in the 2001 copyright decision against Napster and in the succeeding impact of that case. The Napster case and its progeny reveal a pattern of creative “inventing around” previous definitions of formal copyright boundaries. Such interactive re–imagining of technical and legal standards continues in current legal controversies regarding digital delivery systems such as streaming media, digital lockers, and “cloud” services, extending the pattern present in Napster and its progeny into current copyright policy.
机译：版权法在很大程度上是对新媒体的回应：从印刷机到广播，影印机和数字计算机，版权的变化反映了信息复制技术在公众中的可用性日益提高。但是，尽管版权所赋予的专有权是由它们所响应的技术决定的，但事实恰恰相反：技术是根据版权的要求而塑造的，为了避免或适应法律的要求而改变或创新设计。在2001年针对Napster的版权决定以及此案的后续影响中，这种动态的互动在任何地方都比以往更加明显。 Napster案及其后代揭示了一种创造性的“发明”模式，用于“创造”以前的正式版权边界。对技术和法律标准的这种交互式重新构想在有关数字交付系统（例如流媒体，数字储物柜和“云”服务）的当前法律争议中继续存在，从而将Napster及其后代中的模式扩展到当前的版权政策中。

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