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首页> 外文期刊>Museum and Society >Marie Riegels Melchior (ed) Birgitta Svensson (ed), Fashion and Museums: Theory and Practice , London, Bloomsbury, 2014, paperback, ￡19.99
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Marie Riegels Melchior (ed) Birgitta Svensson (ed), Fashion and Museums: Theory and Practice , London, Bloomsbury, 2014, paperback, ￡19.99

机译：Marie Riegels Melchior（ed）Birgitta Svensson（ed），《时尚与博物馆：理论与实践》，伦敦，布卢姆斯伯里，2014年，平装，201419.99

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Whilst I was studying fashion at college in the 1990s, fashion's place in the museum felt very much to be about conceptual fashion viewed as fine art. Since then, the scope has widened considerably and Fashion and Museums: Theory and Practice explores a much wider range of, and approach to, fashion in the museum. Much of this new seriousness appears to follow on from the 2011 Alexander McQueen exhibition, 'Savage Beauty', at the Metropolitan Museum of Art ( http://blog.metmuseum.org/alexandermcqueen/ ), which, at the time of writing, was on at the Victoria and Albert Museum (incidentally, this book was prominently featured in the exhibitions shop). Fashion and Museums , which came out of a conference on the same theme, explores both sides of the relationship between fashion collections and museum spaces, which is becoming omnipresent. An edited volume, the book is structured into three sections: 'The Power of Fashion: When Museums Enter New Territory', 'Fashion Controversies: When Bodies Become Public' and 'In Practice.' Its central question is, what can museums do that fashion houses, concept stores, magazines, television programmes and books cannot
机译：在1990年代我在大学学习时装的时候，时装在博物馆中的地位使人们非常关注概念时装被视为美术。从那时起，范围就大大扩大了，时尚与博物馆：理论与实践在博物馆中探索了范围更广的时尚。许多这种新的严肃性似乎是在大都会艺术博物馆（http://blog.metmuseum.org/alexandermcqueen/）的2011年亚历山大·麦昆（Alexander McQueen）展览“野蛮之美”之后进行的，在撰写本文时，曾在维多利亚和阿尔伯特博物馆上展出（顺便说一句，这本书在展览馆中很有特色）。来自同一主题会议的“时尚与博物馆”探讨了时尚收藏与博物馆空间之间的关系的两面，这种关系正变得无处不在。该书经过编辑，分为三部分：“时尚的力量：当博物馆进入新界时”，“时尚之争：当机构公开时”和“实践中”。中心问题是，博物馆能做什么，时装屋，概念店，杂志，电视节目和书籍不能做

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