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Preserving the National Heritage: Audiovisual Collections in Iceland

机译：保护国家遗产：冰岛的视听收藏品

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In the recent years, audiovisual heritage has been increasingly recognized as a vital resource for political, historical and social research. In several countries audiovisual material, i.e. film, video and audio, have gained full recognition as part of their cultural heritage. The article is based on a MLIS thesis at the University of Iceland that researched the historical development and present situation of ten Icelandic audiovisual archives and collections preserving unique audiovisual material. Case study and qualitative research methods were used. A literature review was supplemented by original data collected by conducting interviews with the staff of ten audiovisual collections. The article gives an overview of these collections and their present situation in terms of preservation, digitization, collection size, storage conditions, cataloguing and staff. An attempt is made to seek an understanding of the extent to which the authorities have recognized audiovisual documents as part of Icelandic cultural heritage. Icelandic cultural policies have evolved in a text-orientated environment, the roots of which lie in a literary tradition of more than 700 years, most prominently represented by the Icelandic Sagas. As a result, the Icelandic audiovisual heritage has received limited attention from the authorities. Iceland has no national audiovisual archive. The Archive of the National Broadcasting Service R??V could well be considered one because of the range and size of its collection, but it lacks the necessary official acknowledgement and legal status. The collections studied appeared to be in a relatively good condition, but insufficient awareness of the needs of audiovisual preservation threatens to leave the collections outside the mainstream of digitization of cultural heritage.
机译：近年来，视听遗产已被越来越多地视为政治，历史和社会研究的重要资源。在一些国家，视听材料，即电影，录像带和音频，已得到充分认可，作为其文化遗产的一部分。本文基于冰岛大学的MLIS论文，该论文研究了保存独特视听材料的十个冰岛视听档案和馆藏的历史发展和现状。使用案例研究和定性研究方法。通过与十个视听馆藏的工作人员进行访谈收集的原始数据，对文献综述进行了补充。本文从保存，数字化，馆藏大小，存储条件，编目和人员等方面概述了这些馆藏及其现状。试图了解有关当局在多大程度上认可视听文件为冰岛文化遗产的一部分。冰岛的文化政策是在文本导向的环境中发展起来的，其根源在于700多年的文学传统，其中最显着的是冰岛萨加斯人。结果，冰岛视听遗产受到当局的有限关注。冰岛没有国家视听档案。国家广播局R ?? V档案馆由于其馆藏的范围和规模而被认为是其中之一，但它缺乏必要的官方认可和法律地位。所研究的收藏品似乎处于相对良好的状态，但是对视听保存需求的认识不足，有可能使这些收藏品脱离文化遗产数字化主流。

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