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Similarities and dissimilarities between poems and song lyrics

机译：诗歌与歌词之间的异同

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Developments around the Afrikaans ‘songs for listening' in the late 1970s and early 1980s, when the term gained prominence in the art of song, initiated a ‘rapprochement' between the Afrikaans poetry and song systems which put the differentiating characteristics of poems and song lyrics, previously considered to be clearly distinguishable, in question. The consequent need for reflection on the existence, or not, of fundamental differences between the two text types inspired the research for this article (a critical study of relevant local and international sources; an application of findings to examples of Afrikaans songs and poetry). Firstly, emphasis is placed on the shared history and the continued relationship between the two genres. The difference in intended mediums of presentation – oral performance versus print edition – is identified as the most fundamental distinction between song texts and poetry. The prominent utilisation of visual-figurative prosodic elements in poetry, that is, next to the rythmic-sonic elements which it has in common with song texts, was subsequently found to be a decisive distinction, particularly since the era of high modernism with its treasure of free verse. This entails a development corresponding to what mediologist Debray described as a cultural shift from the logospheric to the graphospheric era. Finally, mention is made of how the dynamic growth of the electronic media in the current videospheric era yielded new problematical distinctions between lyrics and poetry. The scope of this article, however, does not allow further investigation regarding the latter.
机译：1970年代末期和1980年代初，南非荷兰语“聆听之歌”的发展，当时该词在歌曲艺术中声名显赫，引发了南非荷兰语诗歌与歌曲系统之间的“和解”，从而赋予了诗歌和歌词独特的特征，以前被认为可以清楚地区分。因此需要反思两种文本类型之间是否存在根本差异，这激发了本文的研究（对相关本地和国际资源的批判性研究;对南非荷兰语歌曲和诗歌实例的发现应用）。首先，重点放在两种类型的共同历史和持续关系上。口头表演与印刷版的表达方式之间的差异被认为是歌曲文字和诗歌之间最根本的区别。后来，人们发现，在诗歌中广泛使用视觉形象的韵律元素，即紧随歌曲文本所具有的韵律声素，才是决定性的区别，尤其是在高度现代主义及其珍贵时代以来自由诗歌。这需要进行相应的发展，这与医学家Debray所描述的从徽标圈时代到石墨圈时代的文化转变有关。最后，提到当前视频时代电子媒体的动态增长如何在歌词和诗歌之间产生新的问题区分。但是，本文的范围不允许对后者进行进一步的研究。

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