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首页> 外文期刊>Remote Sensing >Virtual Restoration of Stained Chinese Paintings Using Patch-Based Color Constrained Poisson Editing with Selected Hyperspectral Feature Bands
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Virtual Restoration of Stained Chinese Paintings Using Patch-Based Color Constrained Poisson Editing with Selected Hyperspectral Feature Bands

机译:使用选定的高光谱特征带的基于色块的颜色约束泊松编辑虚拟修复中国画

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Stains, as one of most common degradations of paper cultural relics, not only affect paintings’ appearance, but sometimes even cover the text, patterns, and colors contained in the relics. Virtual restorations based on common red–green–blue images (RGB) which remove the degradations and then fill the lacuna regions with the image’s known parts with the inpainting technology could produce a visually plausible result. However, due to the lack of information inside the degradations, they always yield inconsistent structures when stains cover several color materials. To effectively remove the stains and restore the covered original contents of Chinese paintings, a novel method based on Poisson editing is proposed by exploiting the information inside the degradations of selected three feature bands as the auxiliary information to guide the restoration since the selected feature bands captured fewer stains and could expose the covered information. To make the Poisson editing suitable for stain removal, the feature bands were also exploited to search for the optimal patch for the pixels in the stain region, and the searched patch was used to construct the color constraint on the original Poisson editing to ensure the restoration of the original color of paintings. Specifically, this method mainly consists of two steps: feature band selection from hyperspectral data by establishing rules and reconstruction of stain contaminated regions of RGB image with color constrained Poisson editing. Four Chinese paintings (‘Fishing’, ‘Crane and Banana’, ‘the Hui Nationality Painting’, and ‘Lotus Pond and Wild Goose’) with different color materials were used to test the performance of the proposed method. Visual results show that this method can effectively remove or dilute the stains while restoring a painting’s original colors. By comparing values of restored pixels with nonstained pixels (reference of their same color materials), images processed by the proposed method had the lowest average root mean square error ( RMSE ), normalized absolute error ( NAE ), and average differences ( AD ), which indicates that it is an effective method to restore the stains of Chinese paintings.
机译:污渍是纸质文物最常见的退化之一,不仅会影响绘画的外观,有时甚至会覆盖文物中所含的文字,图案和颜色。基于常见的红,绿,蓝图像(RGB)的虚拟修复可以消除退化,然后使用修补技术将图像的已知部分填充到空白区域,从而产生视觉上可信的结果。但是,由于降解过程中缺乏信息,当污渍覆盖多种色料时,它们始终会产生不一致的结构。为了有效去除污点并还原中国画覆盖的原始内容,提出了一种基于泊松编辑的新方法,该方法利用选定三个特征带的退化内部的信息作为辅助信息,指导自捕获选定特征带以来的还原。较少的污渍,并且可以暴露所涵盖的信息。为了使Poisson编辑适合于去除污渍,还利用特征带为污点区域中的像素搜索最佳色块,并使用搜索到的色块对原始Poisson编辑进行颜色约束以确保还原绘画的原始颜色。具体来说,该方法主要包括两个步骤:通过建立规则从高光谱数据中选择特征带,以及使用颜色约束的Poisson编辑来重建RGB图像的污染区域。使用四种不同颜色的中国画(“钓鱼”,“鹤和香蕉”,“回族画”和“荷塘和野鹅”)测试了该方法的性能。视觉结果表明,该方法可以有效地去除或稀释污渍,同时恢复绘画的原始颜色。通过比较恢复的像素值和未染色的像素(使用相同色料),通过本方法处理的图像具有最低的平均均方根误差(RMSE),归一化绝对误差(NAE)和平均差异(AD),说明这是修复中国画污点的有效方法。

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