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首页> 外文期刊>On Our Terms : The Undergraduate Journal of the Athena Center for Leadership Studies >Bubblegum Girls Need Not Apply: Deviant Women the Punk Scene
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Bubblegum Girls Need Not Apply: Deviant Women the Punk Scene

机译：泡泡糖女孩不必申请：朋克场景中的偏差女性

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摘要

Certain images surface when considering the history of the punk movement in the United States and England: The Ramones, Dead Kennedy’s, Sid Vicious and with him, the Sex Pistols. Punk is a subculture that prides itself on freedom of expression, and culminates in various art forms including music and fashion. Despite the movements’ unwritten policy of openness, women within the punk movement have experienced a complex record of rejection and abuse within the scene. Women who felt they did not have a place within society during their place and time looked to the punk scene for solace. In many cases, they were treated as deviants, and experienced disrespect or violence against them. This paper explores how a variety of female punk acts were seen as deviant, and how their philosophies and actions helped reshape the subculture itself. They themselves forged a place in history as some of the most influential leaders in punk, or within any subculture. This paper also interrogates the medias’ reaction to women in punk, and commercial efforts to commodify the attitudes and do-it-yourself nature of the punk scene.
机译：考虑到美国和英格兰朋克运动的历史，某些图像浮出水面：拉蒙（Ramons），戴德·肯尼迪（Dead Kennedy），席德·维尼（Sid Vicious）以及与他的性手枪。朋克是一种亚文化，以表达自由为荣，并以音乐和时尚等各种艺术形式达到顶峰。尽管该运动采取了不成文的开放政策，但朋克运动中的妇女在现场却经历了拒绝和虐待的复杂记录。那些觉得自己在自己的位置和时间中没有社会地位的女性向朋克现场寻求慰藉。在许多情况下，他们被视为越轨行为，并且遭受到对他们的不尊重或暴力。本文探讨了各种女性朋克行为如何被视为越轨行为，以及它们的哲学和行为如何重塑了亚文化本身。他们本身在朋克或任何亚文化群中成为一些最有影响力的领导人，在历史上占有一席之地。本文还询问了媒体对朋克女性的反应，以及商业化商品化朋克场景的态度和自己动手做事的努力。

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