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Word-Formation in Mark Boal’s The Hurt Locker

机译：马克·鲍尔（Mark Boal）的《受伤的储物柜》中的构词法

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The repetition and development of unifying themes, ideas, and images within narratives are long-standing concerns in the literature on screenwriting. Four points of consensus concerning themes are evident: themes are 1) very few 2) are different from—but related to—the plotline 3) are oft-repeated and 4) are implicitly, rather than explicitly, stated. Several areas within the field of linguistics are relevant to these topics. Foremost among them is morphology, specifically word-formation—the rules by which new words are built upon the bases of other words, roots, or stems. This article considers the relationship of several kinds of word formation to thematic repetition in Mark Boal’s The Hurt Locker, the 2010 Academy-Award winner for best original screenplay. The morphological analysis reveals a pattern of thematic repetition extending to every scene of the screenplay and that encompasses the story’s underlying and unifying themes.
机译：叙事中统一主题，思想和图像的重复和发展是编剧文学中长期关注的问题。关于主题的四个共识是显而易见的：主题是1）很少2）与情节线3）不同（但与之相关）3）经常重复，并且4）隐式而非明示。语言学领域的几个领域与这些主题有关。其中最重要的是形态，特别是词的形成-新词建立在其他词，词根或词干的基础上的规则。本文考虑了马克·鲍尔（Mark Boal）的《伤害储物柜》（The Hurt Locker）中的几种单词构图与主题重复之间的关系，2010年奥斯卡金像奖最佳原创剧本获奖者。形态分析揭示了主题重复的模式，该模式延伸到剧本的每个场景，并且涵盖了故事的基本主题和统一主题。

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