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Camille Pissarro and Venezuela. A lifelong relationship (First part)

机译:卡米尔·毕沙罗和委内瑞拉。终生关系(第一部分)

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Camille Pissarro, for many one of the fathers of French Impressionism, was in Venezuela for 21 months from 1852 to 1854 to accompany the 22-year Danish painter Fritz Melby who convinced him to come to South American soil. We believe these 21months were important to the young Pissarro because we had an impact on the pictorial aspect, the aspect of social-political beliefs and the preferences aspect of pictorial themes (the human being in his fundamental trades). We walk through his life before, during and after coming to Venezuela. We will show watercolors, charcoal drawings and paintings made in our country and their similarities are years away with the paintings in France over the past 50 years of the nineteenth century. We will review your life and the hardships they went through until late age. Talk of thought in relation to the nineteenth century landscape painting. The influence of Alexander von Humboldt in the so-called traveling artists. Show their work in Venezuela, part of his work in France and his political thought. We believe that the unprecedented theme will be of great value to researchers in the life of Camille Pissarro.
机译:卡米尔·毕沙罗(Camille Pissarro)是法国印象派的众多父亲之一,从1852年到1854年在委内瑞拉待了21个月,陪伴着22岁的丹麦画家弗里茨·梅尔比(Fritz Melby)说服他来到南美。我们认为这21个月对年轻的Pissarro很重要,因为我们影响了绘画方面,社会政治信仰方面以及绘画主题的偏好方面(从事基本业务的人)。我们在委内瑞拉之前,之中和之后经历他的生活。我们将展示在我国制造的水彩画,木炭素描和绘画,它们的相似性与19世纪50年代法国的绘画相距数年。我们将审查您的生活以及他们直到晚年所经历的苦难。关于十九世纪山水画的思想讨论。亚历山大·冯·洪堡在所谓的旅行艺术家中的影响。在委内瑞拉展示他们的工作,这是他在法国工作和政治思想的一部分。我们相信,史无前例的主题对卡米尔·毕沙罗(Camille Pissarro)的生活将具有重大价值。

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