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Studies of Western Rhetoric in Modern Japan: The Years between Shimamura Hogetsu's Shin bijigaku (1902) and the End of the Taisho Era

机译:近代日本的西方修辞学研究:从岛村法人的新美术学(1902)到大正时代的终结

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Western rhetoric was introduced to Japan as a coherent system a few yearsafter the Meiji Restoration. First presented as the art of speech, rhetoric soongained popularity as a field of study also concerned with composition and literarycriticism. However, in the second half of the Meiji period, the rise ofRealism and Naturalism and the persistent call far a plain and concise literarystyle began to seriously undermine the position of rhetoric, causing it to facea probable demise at the end of the 1890s. This study discusses the history ofrhetoric in Japan between the beginning of the twentieth century and theend of the Taishoˉ era. It clarifies the crucial role played by rhetoriciansShimamura Hoˉgetsu and lgarashi Chikara in conceiving a rhetorical theorycapable of granting rhetoric a place of continued relevance in the literarydebates of the time. Concurrently, the investigation demonstrates the existenceof important links between Taishoˉ rhetoric and studies of NationalLanguage and Literature, providing evidence that rhetoric continued to be avalid interlocutor for those concerned in the Taishoˉ years with such issues aswriting, literature and language policy.
机译:明治维新几年后,西方修辞学作为一种连贯体系被引入日本。修辞学最初是作为演讲艺术提出的,后来很快也成为人们关注的领域,也涉及作文和文学批评。然而,在明治时代的后半期,现实主义和自然主义的兴起以及人们对朴素而简洁的文学风格的持续呼声开始严重破坏了修辞学的地位,使其在1890年代末可能走向灭亡。本研究讨论了20世纪初至大正时代结束之间日本的修辞史。它阐明了修辞学家ShimamuraHoˉgetsu和lgarashi Chikara在构想能够使修辞学在当时文学争论中具有持续相关性的修辞学理论中所起的关键作用。同时,调查表明,大正语修辞学与《国家语言文学》研究之间存在重要联系,这提供了证据,证明在大正时代,修辞学在写作,文学和语言政策等问题上仍是有关人士的有效对话者。

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