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An Analysis on the Dunhuang Mogao Northern Dynasties Architectural Images

机译：敦煌莫高北朝建筑形象解析

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Research material is commonly supported by paintings. However, if paintings are viewed as the representation and re-composition of architecture, we can focus on the pattern of the selection, referencing, and re-composition of the form elements. This study applies semiotic theories to architectural studies of the Dunhuang frescoes. It extracts and analyzes the symbols (form elements) in the architectural images of the Northern Dynasties. It also interprets the underlying rules of the selection, adoption, and re-composition of the symbols by component analysis. The presence of commonly adopted components, as well as the semiotic structural system under which the components with distinctive characters can be continuously broken down, endow the seemingly simple Northern Dynasties architectural images with both unity and variation.
机译：研究材料通常由绘画来支持。但是，如果将绘画视为建筑的表示和重新组合，则我们可以集中精力于表单元素的选择，引用和重新组合的模式。本研究将符号学理论应用于敦煌壁画的建筑研究。它提取并分析了北朝建筑图像中的符号（形式元素）。它还通过组件分析来解释符号选择，采用和重新组合的基本规则。普遍采用的部件以及符号特征可以连续分解的符号体系结构的存在，赋予了看似简单的北朝建筑图像以统一性和变异性。

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