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Acoustic Study of the Manuel de Falla Auditorium: Design Evolution and Acoustic Simulation

机译:曼努埃尔·德·法拉礼堂的声学研究:设计演变与声学模拟

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This paper presents the most important conclusions of the acoustic study made in the Auditorium of the Manuel de Falla Centre in Granada (Spain). This auditorium works. In the context of the concert rooms in Spain, its position is emblematic because it acts as a starting point in the modern conception of these halls. This paper is divided into two parts: was built by the architect José María García de Paredes in 1978 and reopened in 1987, making it one of his most important and beloved ? Description of the project progress up to the final construction of the auditorium: preliminary references of musical rooms, first sketches and blueprints, the evolution of the construction project from the moment the architect comes in touch with the acoustical consultant Lothar Cremer, as well as the changes made in the room in its reopening are analyzed. ? Presentation of the acoustic simulation results: sound rays trajectories from the source to the receivers are analyzed and the acoustic parameters that define its sound quality are evaluated using the CATT Acoustic software.
机译:本文介绍了在格拉纳达(西班牙)的曼努埃尔·德法拉中心礼堂举行的声学研究中最重要的结论。这个礼堂运作。在西班牙音乐厅中,它的位置具有象征意义,因为它是这些音乐厅现代概念的起点。本文分为两个部分:由建筑师何塞·玛丽亚·加西亚·德·帕雷德斯(JoséMaríaGarcíade Paredes)于1978年建造,并于1987年重新开放,使其成为他最重要和最受爱戴的人之一。直到礼堂最终建造的项目进度说明:音乐室的初步参考,第一张草图和蓝图,从建筑师与声学顾问Lothar Cremer接触之时起建筑项目的演变,以及将重新分析房间中的更改。 ?声学模拟结果的呈现:使用CATT Acoustic软件分析从声源到接收器的声线轨迹,并评估定义其声音质量的声学参数。

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