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首页> 外文期刊>Emerging Infectious Diseases >Georges Rouault, Les Trois Juges (The Three Judges), circa 1936
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Georges Rouault, Les Trois Juges (The Three Judges), circa 1936

机译：乔治·鲁奥（Les Trois Juges）（三位法官），约1936年

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Georges Rouault (1871-1958), a French expressionist artist, started his career as an apprentice to a stainedglass maker, and after 1891, studied under Gustave Moreau. In 1905, he exhibited several paintings with the Fauves and Indépendants, two groups of artists not included in the official Salon of the French Royal Academy. Rouault received major recognition for his work in 1937, when his paintings were displayed in conjunction with the Paris World’s Fair. A devout Catholic, Rouault painted images of Christ, along with prostitutes, lawyers, judges, and clowns, as part of a commentary on the corruption of society. His sorrowful and bitter delineations of these human characters caused quite a stir in the Paris of his day. The suffering of Christ was his frequent subject. He believed in the teaching of the Gospel and stated that his only ambition was to paint a Christ so moving that those who saw the image would be converted. His thickly encrusted, powerfully colored images, outlined heavily in black, have the effect of icons and are suggestive of stained glass. Around 1914, Rouault began more than a decade of work for the publisher Vollard. Using a variety of graphic techniques, he executed a series of prints called Miserere et Guerre to appear with text by the poet André Suarès. Rouault continued to work on the series through World War I and again from 1922 until 1927. He continued to paint the themes he had used earlier, but in a more tranquil style.
机译：法国表现主义画家乔治·鲁奥（Georges Rouault，1871-1958年）开始其职业生涯，当时是彩色玻璃制造商的学徒，并于1891年后在古斯塔夫·莫罗（Gustave Moreau）读书。 1905年，他与Fauves和Indépendant展出了几幅画作，这两组艺术家未包括在法国皇家学院的官方沙龙中。 1937年，鲁奥（Rouault）的画作与巴黎世界博览会同期展出，因此受到了广泛认可。作为一位虔诚的天主教徒，鲁奥为妓女，律师，法官和小丑描绘了基督的形象，作为对社会腐败的评论的一部分。他对这些人类角色的悲惨而痛苦的描述在当时的巴黎引起了不小的轰动。基督的苦难是他经常的主题。他相信福音的教导，并说他的唯一志向是画一个如此动人的基督，以使那些看到图像的人会悔改。他厚重的外壳，色彩鲜明的图像，以黑色勾勒出轮廓，具有图标效果，并暗示着彩色玻璃。在1914年左右，鲁奥开始为出版商Vollard进行十多年的工作。他运用多种图形技术，创作了一系列名为“ Miserere et Guerre”的版画，并与诗人安德烈·苏亚雷斯（AndréSuarès）一同出现。鲁奥在第一次世界大战期间和1922年至1927年期间继续从事该系列的创作。他继续以较安静的风格绘画他以前使用过的主题。

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