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A Mapping Sentence for Understanding the Genre of Abstract Art Using Philosophical/Qualitative Facet Theory

机译:运用哲学/质构面理论理解抽象艺术体裁的映射句

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Whether we are philosophers or are members of the general public, during the course of our daily activities we sub-divide our phenomenological world and form categorial accounts of these experiences. The development of categorial ontologies, or sub-divisions of the most basic levels of our existence, has long been used to enable a clearer understanding of a specific domain of interest. Similarly, ontological scholarship has a long and distinguished history which continues to this day (see for example: Aristotle and Ackrill, 1975; Simons, 1987; Harte, 2002; Sider, 2005; Lowe, 2007; Chisholm, 2010; Poli and Seibt, 2010). Coffey (2016) provides an overall contemporary review of the use of ontologies by philosophers.
机译:无论我们是哲学家还是普通大众,在我们的日常活动过程中,我们都会细分现象世界,并对这些经历进行分类描述。长期以来,分类本体或我们生活中最基本层次的细分的发展一直用于使人们对特定的感兴趣领域有更清晰的了解。同样,本体论学术有着悠久而杰出的历史,并一直延续到今天(例如:亚里士多德和阿克里尔(Aristotle and Ackrill,1975;西蒙斯(Simons),1987;哈特(Hart),2002;西德(Sider),2005;劳(Lowe),2007;奇索姆(Chisholm),2010;波利(Poli)和塞伯特(Sibt), 2010)。科菲(Coffey,2016)对哲学家对本体论的使用进行了当代的全面回顾。

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