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Creator Governance in Social Media Entertainment

机译：社交媒体娱乐的创作者治理

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This article addresses the platformization of cultural production by offering a creator-centric account of industrial and governance issues in social media entertainment (SME). SME is our term for the emerging industry of native online cultural producers together with the platforms, intermediaries, and fan communities operating interdependently, and disruptively, alongside legacy media industries and across global media cultures. The central concern of the article is that these creators are not recognized as stakeholders in current debates both academic and policy on platform governance. The relationship between the platform behemoths and individual creators may seem grossly disproportionate, but insights from network economics suggest a more supple account of power. The interests of creators are examined in the “top-down” context of the exercise of platform governance and efforts, by platforms and the state, to improve it. Those interests are also canvassed from the “bottom up”—how creators and creator advocacy are organizing and acting collectively to improve prospects for creators in this emerging industry.
机译：本文通过在社交媒体娱乐（中小企业）中提供了一个创造的工业和治理问题的创作者，讨论了文化生产的平台化。中小企业是我们与平台，中介机构，中介机构，扇区社区的新兴行业的最新行业的术语，并在遗产媒体行业和全球媒体文化方面经营。本文的核心关注点是，这些创造者不被认为是当前辩论的利益攸关方，在平台治理中的学术和政策。平台Beemoths与个人创作者之间的关系可能看起来严重不成比例，但网络经济学的见解表明了一个更加柔顺的权力。在“自上而下”的行使平台治理和努力，平台和国家的自上而下的背景下，审查了创作者的利益，以改善它。这些兴趣也从“自下而上” - 造物官，创造者宣传正在组织和行动，以改善这行业的创作者前景。

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