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首页> 外文期刊>Journal of the Science of Design >A RECONSIDERATION OF GY?RGY KEPES'S THE NEW LANDSCAPE IN ART AND SCIENCE
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A RECONSIDERATION OF GY?RGY KEPES'S THE NEW LANDSCAPE IN ART AND SCIENCE

机译：GY的重新考虑？RGY Kepes在艺术和科学的新景观

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摘要

Gy?rgy Kepes (1906-2001), a founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (MIT), was a pioneer of "scientific art" in the 20th century. This paper discusses his idea of "the new landscape in art and science" and examines his teaching experience at the School of Design in Chicago to clarify it. Kepes held an exhibition in 1951 titled The New Landscape in Art and Science, which eventually became the title of his 1956 book. He presented science photographs of biological forms and crystal structures, that is, the new frontier of visible world. Taking a historical approach to evaluate his ideas, we clarify the relation between his ideas and his design education at the camouflage course at the School of Design in Chicago during World War II. We examine how he had developed his theory on visual communication into "visual value" of an invisible image. The results here provide us the meaning of the New Landscape.
机译：GY？rgy Kepes（1906-2001）是Massachusetts理工学院（MIT）的高级视觉研究（CAVE）中心的创始人，是20世纪的“科学艺术”先锋。本文讨论了他对“艺术与科学的新景观”的想法，并在芝加哥设计学校审查了他的教学经验，以澄清它。 Kepes于1951年举办了展览，标题为艺术和科学的新景观，最终成为他1956本书的标题。他介绍了生物形式和水晶结构的科学照片，即可见世界的新边疆。采取历史方法来评估他的想法，阐明了芝加哥第二次世界大战期间在芝加哥设计学校迷彩课程之间的思想与设计教育的关系。我们研究了如何在看不见形象的“视觉价值”中发展他的视觉通信理论。结果为我们提供了新景观的含义。

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