首页> 外文期刊>InfoDesign : Brazilian Journal of Information Design = Brazilian Journal of Information Design >A dimens?o retórica e a dimens?o discursiva no design gráfico The rhetorical dimension and the discursive dimension in graphic design
【24h】

A dimens?o retórica e a dimens?o discursiva no design gráfico The rhetorical dimension and the discursive dimension in graphic design

机译:图形设计中的尺寸和图形设计中的旋转尺寸和图形设计中的话语尺寸

获取原文
           

摘要

O objetivo deste artigo é explorar diferen?as e construir pontes entre a dimens?o retórica e a dimens?o discursiva (na perspectiva foucaultiana) no design gráfico. A ideia é justapor uma abordagem já comum e outra pouco utilizada na área, e assim buscar entender suas finalidades. Para isso, fez-se uma breve introdu??o aos conceitos principais de ambas dimens?es e suas aplica??es. Após isso, realizou-se uma análise de três artefatos (pe?a publicitária, pictogramas e infográfico) considerando as perspectivas apresentadas e seus critérios. Conclui-se que a abordagem discursiva difere da retórica pois n?o se concentra apenas nos aspectos semanticos das linguagens e sim, prop?e que o discurso, para Foucault, regula as conota??es e denota??es consideradas possíveis.*****The purpose of this article is to explore differences and build bridges between the rhetorical dimension and the discursive dimension (in a Foucaultian perspective) in graphic design. The idea is to juxtapose an already common approach to another little used in the area, and thus seek to understand its purposes. For this, a brief introduction to the main concepts of both dimensions and their applications was made. After that, an analysis of three artifacts (advertising piece, pictograms and infographic) was performed considering the presented perspectives and their criteria. We conclude that the discursive approach differs from rhetoric because it focuses not only on the semantic aspects of languages but rather proposes that, under the Foucault's bias, discourse regulates the connotations and denotations considered possible.
机译:本文的目的是探讨在平面设计的尺寸“修辞和话语尺寸(在Foucaulian透视)之间的差值和建立桥梁。这样做是为了证明在该地区已经普遍而有所采用的方法,从而寻求理解它的目的。对于这一点,有一个简单的介绍,以两个维度及其应用的主要概念。在此之后,有一个三个神器分析(PE?广告,象形图资料图)考虑提出的前景和他们的标准。它的结论是话语方式不同于说辞,因为它仅集中于语言的语义方面是的,道具?这演讲中,福柯,调节张三和外延认为是可以的。* ****的目的这篇文章是探讨差异和搭建桥梁的Rhectorical尺寸和话语尺寸(一福柯透视)平面设计之间。我们的想法是并列在该地区使用的另一个小的alreeady常用的方法,从而寻求理解它的目的。为此,简介两个维度及其应用的主要概念作出。在此之后,三神器的分析(广告片,象形图资料图)进行综合考虑所提出的观点和他们的标准。我们的结论是,从修辞的话语途径不同,因为它不仅注重语言的语义方面而提出,根据福柯的偏差,话语区内涵及Denotations认为是可能。

著录项

获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号