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首页> 外文期刊>E3S Web of Conferences >Form Deconstruction of Chinese Contemporary Landscape Architecture-Take the Design of Wuhan University of Technology Innovation and Entrepreneurship Park as an Example
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Form Deconstruction of Chinese Contemporary Landscape Architecture-Take the Design of Wuhan University of Technology Innovation and Entrepreneurship Park as an Example

机译：形成中国当代景观建筑的解构 - 以武汉科技创新大学设计为例

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摘要

There are several differences in architectural forms and cultural systems between the east and the west, which are attributed to different traditional philosophical ontologies. China takes "Tao" as its ideological basis emphasizes: "Nothing". Chinese fundamental principles are deeply related to philosophy and metaphysics. Traditional culture pursues spiritual connotations. Inversely, the west regards "Logos" as the origin of the world. This emphasizes the "being", with fundamental principles based in geometry, mathematics and science. The west has established a scientific spatial consciousness since the beginning of the Renaissance. It is based on mathematical relations and geometric principles, and focused on the pursuit of matter. "Logos" is an important aspect of Western philosophy, meaning that the “center”, the “source” or the “truth”, is a transcendental "presence." Pythagorean's mathematical theory and Plato's "rational" thinking are ultimately a variant of "Logos". The external imitation of nature in western classical gardens aims to explore the essence of nature. The separation of subject and object as the fundamental formula of Western philosophical epistemology has made mankind dominating nature for a long time. It leads to the deterioration of our living environment. Deconstructive philosophical thought is the subversion and criticism of the "Logos centralism" since ancient Greece. It eliminates the sense of "center" and the "subject-object dichotomy", which is the process of transforming "being" to "nothing". "Anthropocentrism" is disintegrated, when people and nature re-entered in an equal dialogue and symbiosis. Therefore, the symbiotic relationship between man and nature has been reshaped by the spirit of deconstruction. This is highly compatible with the ideological concept of "harmony between man and nature". The cultural spirit of harmony is precious in Chinese traditional philosophy.Taking the design project of the Innovation Pioneer Park of Wuhan University of Technology as a casestudy, this paper analyses the morphological deconstruction characteristics and their cultural connotation to contemporary Chinese courtyard spaces. It explores a design language and method that breaks through the traditional thinking paradigm, bridging it to characteristics of a particular era as well as the aesthetic appeal. This is not a universal design paradigm, but an exploratory series of philosophical speculative processes, which in turn can inform a dynamic and sustainable development. It shows ideological essence of reminiscent of culture and spirit of the traditional Chinese landscape. Contemporary people’s world views should be manifest. By doing so, it becomes a conceptual, radiant and pioneering Chinese cultural spiritual symbol in a chaotic contemporary society.
机译：东部和西部建筑形式和文化系统存在若干差异，归因于不同的传统哲学本体。中国以其思想基础为“涛”强调：“没有”。中国基本原则与哲学和形而上学有关。传统文化追求精神内涵。相反，西方认为“标志”作为世界的起源。这强调了“存在”，基本原则基于几何，数学和科学。自文艺复兴开始以来，西方建立了科学空间意识。它是基于数学关系和几何原则，并专注于追求物质。 “徽标”是西方哲学的一个重要方面，这意味着“中心”，“来源”或“真理”，是一个超越的“存在”。毕达哥兰的数学理论和柏拉图的“理性”思维最终是“标志”的变种。西方古典花园的外部模仿自然旨在探索自然的本质。受试者和物体的分离作为西方哲学认识论的基本公式使人类占据了人类的主导性质。它导致我们的生活环境恶化。解构哲学思想是古希腊自古希腊自古希腊自古希腊以来的颠覆和批评。它消除了“中心”的感觉和“主题对象二分法”，这是将“”与“没有”转变为“无”的过程。 “人类中心主义”被解体，当人和自然重新进入平等对话和共生时。因此，人与自然之间的共生关系已被解构的精神重塑。这与“人与自然与自然和谐”的思想概念高度兼容。和谐的文化精神是中国传统哲学的珍贵。武汉工业大学创新先锋园设计项目作为一种类别，本文分析了当代中国庭院空间的形态解构特征及其文化内涵。它探讨了一种设计语言和方法，破坏了传统的思维范式，将其弥合到特定时代的特征以及美学吸引力。这不是普遍的设计范式，而是一系列型式哲学投机过程，这反过来可以推出动态和可持续的发展。它显示了让文化和传统中国景观的文化和精神的思想精髓。当代人民的世界观点应该表现出来。通过这样做，它成为一个混乱的当代社会中的概念，光彩和开创性的中国文化精神象征。

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