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A digital distraction? The role of digital tools and distributed intelligence in woodblock printmaking practice

机译：数字分心？ 数字工具和分布式智能在Woodblock Printmaking实践中的作用

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摘要

Artists' adoption of CNC devices and related technologies is making possible novel printmaking processes and variations on techniques. Such changes suggest a need to broaden our understanding of what constitutes a print under contemporary technological conditions. This article looks at the human-machine relationship and the state of creative cognition in the act of woodblock printmaking. Connections between the printmaker's and programmer's notions of creating lines indicate different ways of thinking-drawing space and position the resulting 2D print not just as the transfer of ink from block to paper but also existing as lines of code and as a 3D space. By drawing parallels between the embodied yet distributed act of traditional Japanese woodblock printmaking and the experience of CNC computerized carving in the work of Mike Lyon, I explore how woodblock printmaking might facilitate a productive collaboration with digital carving technologies.
机译：艺术家采用数控装置和相关技术正在进行新的打印过程和技术的变化。 这种变化表明，需要扩大对当代技术条件下的印刷品的理解。 本文介绍了人工机器关系和伍德布洛克打印行为中的创造性认知状态。 PrintMaker和程序员的创建线路之间的连接表示不同的思维绘制空间方式，并且不仅仅是从块到纸张传输墨水，而且存在作为代码行和3D空间的绘制的2D打印。 通过在体现的传统日本木质块打印手动和CNC计算机化雕刻在Mike Lyon的工作的经验之间绘制平行，我探讨了Woodblock Printmaking如何促进与数字雕刻技术的生产合作。

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