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Culture and Revolution Transaction Strategies: A Project of the Ludwig Foundation of Cuba

机译：文化与革命交易策略：古巴路德维希基金会的一个项目

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摘要

If society is the people, and culture is behavior, this confers upon revolutions a genuinely cultural nature. The immediate link among the topics dealt with in this article is the creation and development of Cuban cultural policy, the very policy through which the nation's artistic creativity—with all its beauties and blunders—is articulated. Yet it is impossible to outline the scope and complexity of this process in a single article and to do so would be nonsensical. This means a radical change in perspective: instead of using macro-history and generalizations, relying on observing events on a much smaller scale in an attempt to shed light on the whole through its parts. As a result, this article focuses on a specific cultural institution—The Ludwig Foundation of Cuba—with a brief mention of its fundamental aims and an overview of one of its emblematic exhibitions, which was the result of long-term research.
机译：如果社会是人民，文化是行为，那就赋予革命真正的文化本性。本文涉及的主题之间的直接联系是古巴文化政策的制定和发展，正是通过这种政策阐明了古巴的艺术创造力及其所有美与错。然而，不可能在一篇文章中概述该过程的范围和复杂性，这样做是没有意义的。这意味着观点将发生根本性的改变：与其使用宏观历史和概括，不如以较小的规模观察事件，以试图从各个方面看清整体。因此，本文重点介绍了特定的文化机构-古巴路德维希基金会-简要介绍了其基本目标，并概述了其标志性展览之一，这是长期研究的结果。

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