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THE DISCOVER INTER VIEW

机译：探索访谈

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He was my boss after the war, but he wasn't much interested in what I was doing because it wasn't fundamental enough-he had a very narrow view of what science should be. It was very hard to talk to him. He was a restless person. He wasn't a good listener for that reason. He would always interrupt and start talking about something else. He had this habit of smoking all the time. He would never sit still when he was in a seminar; he would always get up and open the window or shut the window. He was like a 3-year-old. Nevertheless, obviously he could concentrate. When he drove himself to it, he could focus very well, but I didn't see that very much. Oppenheimer was a very good chairman on committees, and he drove the Manhattan Project through. He took a lot of pride in what he had done. There was a play written with Oppenheimer as the central character, and it displayed him as a sort of remorseful character who regretted what he had done. He threatened to sue the theater and have the play stopped. He said it was a false representation of him-he didn't want to be portrayed as a sorrowful character.
机译：战后他是我的老板，但他对我在做什么并不感兴趣，因为这还不够基本-他对科学应有的看法非常狭窄。跟他说话很难。他是一个不安定的人。因此，他不是一个好听众。他总是会打断并开始谈论其他事情。他一直有抽烟的习惯。当他在研讨会上时，他永远不会静止不动。他会总是起床并打开窗户或关闭窗户。他就像一个三岁的孩子。不过，显然他可以专心。当他开车去开车时，他可以很好地集中注意力，但是我并没有看到太多。奥本海默（Eppenheimer）是委员会中非常出色的主席，他推动了曼哈顿计划的通过。他为自己所做的事感到非常自豪。有一部以奥本海默（Oppenheimer）为中心角色的剧本，这显示了他是一种of悔的角色，他为自己的所作所为感到遗憾。他扬言要起诉剧院并停止演出。他说这是对他的虚假陈述-他不想被描绘成一个可悲的角色。

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