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首页> 外文期刊>Early Music >Collaborations between the Musique de la Chambre and the Musique de la Chapelle at the court of Louis XIII: Nicolas Formé's Missa Æternae Henrici Magni (1638) and the origins of the grand motet
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Collaborations between the Musique de la Chambre and the Musique de la Chapelle at the court of Louis XIII: Nicolas Formé's Missa Æternae Henrici Magni (1638) and the origins of the grand motet

机译:尚博尔博物馆和夏佩尔博物馆在路易十三的宫廷之间的合作:尼古拉斯·福尔梅(NicolasFormé)的米莎·Æ泰娜·亨里基·马格尼小姐(1638年)和大马的起源

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  • 来源
    《Early Music》 |2010年第3期|p.369-386|共18页
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    Peter Bennett is an Assistant Professor of Musicology at Case Western Reserve University, Cleveland, USA, where he teaches in the Early Music Program. A native of the UK, he took his DPhil at Oxford University (2004) with a dissertation on sacred music at the court of Louis XIII. He also maintains a career as a continuo player, performing with Apollo's Fire in the USA. From 1995 to 2003 he directed Ensemble Dumont, appearing on the Linn Records label. peter.bennett{at}case.edu;

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