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The stereoscope and the miniature

机译:立体镜和微型

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The world was drastically reduced in scale as it entered nineteenth- and early twentieth-century homes (1850-1920) through stereoscopes. The stereo image was always miniature. Its size was a topic of concern in the nineteenth century, yet the significance of scale to stereoscopy has not been substantially researched within the field of early popular visual culture. The miniature quality of the stereoscopic spectacle is approached in terms of contemporary and nineteenth-century perspectives. This exploration raises the issue of whether a connection can be drawn between dimension and standardization that was characteristic of stereography as the first photographic mass medium. This potential link between the miniature and the establishment of standards is traced through nineteenth-century stereographs of two cities, New York and Constantinople (Istanbul).View full textDownload full textKeywordsstereoscope, stereo image, miniaturization, miniature, gigantic, the city, New York, Constantinople (Istanbul), media history, visual mediaRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17460654.2011.601159
机译:当世界通过立体镜进入19世纪和20世纪初的房屋(1850-1920年)时,规模急剧缩小。立体图像始终是微型的。它的尺寸在19世纪是一个令人关注的话题,但是在早期流行的视觉文化领域中,对立体镜的标尺的意义尚未进行实质性研究。从当代和19世纪的角度来看,立体眼镜的微型品质。这项探索提出了一个问题,即是否可以在尺寸和标准化之间建立联系,而这是作为第一种摄影大众媒介的立体摄影的特征。微型与标准建立之间的这种潜在联系可以追溯到纽约和君士坦丁堡(伊斯坦布尔)这两个城市的19世纪立体图。查看全文下载全文关键词立体镜,立体图像,微型化,微型,巨大,城市,纽约,君士坦丁堡(伊斯坦布尔),媒体历史,视觉媒体相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”, pubid:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17460654.2011.601159

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