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首页> 外文期刊>Early Popular Visual Culture >Savagery on show: The popular visual representation of Native American peoples and their lifeways at the World’s Fairs (1851-1904) and in Buffalo Bill’s Wild West (1884-1904)
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Savagery on show: The popular visual representation of Native American peoples and their lifeways at the World’s Fairs (1851-1904) and in Buffalo Bill’s Wild West (1884-1904)

机译：野蛮表演：在世界博览会（1851-1904）和布法罗·比尔（Buffalo Bill）的狂野西部（1884-1904）中，美洲原住民及其生活的通俗视觉表现

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This interdisciplinary article examines and contextualizes the popular visual representations of Native American peoples and their lifeways at the World’s Fairs and Buffalo Bill’s Wild West from 1851 and 1884, respectively, to 1904. It will argue that these fairs and shows were arenas where colonially constructed identities and Western ideologies were enforced and reinforced to the general public, and where Native Americans were knowingly represented, regardless of reality, as primitive savages in direct opposition to Western civilized Christian norms, or as exemplars of assimilation saved from savagery by the benefits of Western civilized Christian norms. It suggests that the maxim of the World’s Columbian Exposition (1893-4), ‘To see is to know’, should not be underestimated in communicating identities; for during the mid-nineteenth to early twentieth century, colonially constructed visual knowledge was used to blur the boundaries between entertainment and education, allowing the cultural ideologies of the West to pass as reality.View full textDownload full textKeywordsvisual representation, identity construction, Native Americans, World’s Fairs, Buffalo Bill’s Wild West, colonialismRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17460654.2011.621314
机译：这篇跨学科的文章考察了1851年和1884年至1904年的世界博览会和布法罗·比尔的《狂野西部》中美洲原住民及其生活方式的流行视觉表现形式，并将其背景化。在这样的舞台上，殖民地建构的身份和西方意识形态在公众中得到了加强和强化，并且在已知的情况下，无论现实情况如何，美洲原住民都被代表为原始野蛮人，他们直接反对西方文明的基督教准则，或者作为从野蛮中拯救下来的同化典范受益于西方文明的基督教规范。它表明，在交流身份时，不应低估“哥伦比亚就是世界博览会”（1893-4年）的格言：“看就是知道”。在19世纪中叶到20世纪初，殖民地建造的视觉知识被用来模糊娱乐和教育之间的界限，使西方的文化意识形态得以实现。查看全文下载全文关键字视觉呈现，身份建构，美洲原住民，世界博览会，布法罗·比尔（Buffalo Bill）的狂野西部，殖民主义相关var addthis_config = {ui_cobrand：“泰勒和弗朗西斯在线”，servicescompact：“ citeulike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg， google，more“，发布号：” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17460654.2011.621314

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