Byrd introduces dissonances that, to 16th-century ears, would have sounded highly unusual

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Byrd introduces dissonances that, to 16th-century ears, would have sounded highly unusual

机译：伯德（Byrd）引入了不和谐感，这种不和谐感在16世纪的耳朵中听起来非常不寻常

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Byrd could never have led a quiet life. He was an irascible man who nursed plenty of grudges: in his will he refers to the "unduti-ful obstinacy of one whom I am unwilling to name". Kerry McCarthy, in a biography of Byrd, also points out that in the 1590s he fitted lead pipes to Stondon Massey, his house in Essex. This "may not have contributed to the sanity or equanimity of the Byrd family," she notes. But plenty of artists are grumpy and mad. Byrd's bigger problem-and the reason why, for centuries, he was not granted the same official approbation as Tallis, who hid his faith better-was his fervent Catholicism.

机译：伯德永远不可能过着平静的生活。他是一个脾气暴躁的人，怀有很多怨恨：在他的遗嘱中，他指的是“我不愿透露姓名的人的顽固固执”。凯瑞·麦卡锡（Kerry McCarthy）在伯德（Byrd）的传记中还指出，在1590年代，他为埃塞克斯郡的房子Stondon Massey安装了铅管。她说：“这可能并没有助长伯德一家的理智或安宁。”但是很多艺术家脾气暴躁。伯德面临的更大问题-以及几个世纪以来，他一直没有像塔利斯那样得到官方认可，原因是后者更好地隐藏了自己的信仰-这是他热心的天主教。

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《The economist》 |2019年第9123期|40-40|共1页
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机译：在未受刺激的耳朵处的声音的侧向化与噪声适应的耳朵相反

Byrd introduces dissonances that, to 16th-century ears, would have sounded highly unusual

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