IT IS 8AM on a September Sunday in Kranj, a half-hour drive from Slovenia's capital, Ljubljana, and Christian Bindhammer is staring at a blank wall. It is his canvas. In a few hours it will be transformed from 182 square metres of drab beige and grey into a fever dream of Kandinsky colours. A week later it will be unveiled to 1,300 spectators. Within a month, another 180,000 will have beheld it on YouTube.
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