Art as weapon

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Art as weapon

机译：艺术作为武器

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IN A puffy bomber-jacket and a gas mask, Gustav Metzger started on his work of art on London's South Bank in 1961. He had written out his own terse orders: "Acid action painting. Height 7ft. Length 12ft. 6in. Depth 6ft. Materials: nylon, hydrochloric acid, metal. Technique. 3 nylon canvasses coloured white black red are arranged behind each other, in this order. Acid is painted, flung and sprayed onto the nylon which corrodes at point of contact within 15 seconds." That was it. The small curious crowd then dispersed, reminded-he hoped-of the transience of art and the mindless violence of man.

机译：古斯塔夫·梅茨格（Gustav Metzger）穿着蓬松的炸弹夹克和防毒面具，于1961年在伦敦南岸开始他的艺术作品。他写下了自己的简洁命令：“酸性动作绘画。高7英尺，长12英尺。6英寸。深6英尺”材料：尼龙，盐酸，金属。技术。依次将3个颜色为白色黑红色的尼龙帆布彼此并排。将酸涂，甩干并喷涂到尼龙上，尼龙在15秒内会在接触点处腐蚀。”就是这样然后，一小撮好奇的人群分散了，他希望-想起了艺术的短暂性和人类无意识的暴力。

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《The economist》 |2017年第9032期|90-90|共1页
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Art as weapon

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