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Works of Glass

机译：玻璃作品

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Philip glass is probably the world's most famous living composer. He is known to many as a minimalist, since much of his music is highly repetitive, and he is a prolific film-score creator whose music was used in "Leviathan", a controversial Russian movie from 2014. His new autobiography shows him to be a decent writer, too. The book avoids detailed analyses of compositions. Instead, Mr Glass discusses the broad influences-academic, cultural and personal-on his approach to music. In this respect the early chapters are the most illuminating. He was born 78 years ago into a Jewish family in Baltimore, where his father ran a record shop in a down-at- heel neighbourhood. Ben Glass was a fearsome man, who was later to disown his son after he married a gentile. He was "very physical and muscular" and would beat up people who tried to steal his records. But he passed his love of music on to Philip, who would sit, unnoticed, at the top of the stairs, while his father listened to Schubert, Shostakovich and Bartok late into the night. By the time Philip was 15, he had become the classical-music buyer for the shop.
机译：菲利普·格拉斯（Philip Glass）可能是世界上最著名的作曲家。他被认为是极简主义者，因为他的音乐大部分都具有高度重复性，并且是一位多产的电影创作者，其音乐曾在2014年备受争议的俄罗斯电影《利维坦》中使用。他的新自传显示他是也是一个体面的作家。这本书避免了对成分的详细分析。相反，格拉斯先生讨论了音乐方法对学术，文化和个人的广泛影响。在这方面，前几章最具启发性。 78年前，他出生在巴尔的摩的一个犹太家庭，父亲在一个低跟社区里经营着一家唱片店。本·格拉斯（Ben Glass）是一个令人生畏的人，后来他嫁给了一个外邦人，便将其儿子辞职。他“身体强壮”，会殴打那些试图窃取他的唱片的人。但是他把对音乐的热爱传递给了菲利普，菲利普在不知不觉中坐在楼梯的顶端，而他的父亲在深夜听了舒伯特，肖斯塔科维奇和巴托克的歌。菲利普15岁时，他已成为这家商店的古典音乐购买者。

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    《The economist》 |2015年第8931期|88-88|共1页
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