The screen at the end of the world

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The screen at the end of the world

机译：屏幕尽头

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Jacob binel, the timber merchant in Nicholas Wright's "Travelling Light" at the Lyttelton theatre, is the second of three Jewish roles that Sir Antony Sher has signed up for in less than a year-after decades of parts from other worlds than that of his forefathers. First he was Phillip Gellburg in last autumn's production of Arthur Miller's "Broken Glass" at London's Tricycle theatre, a repressed businessman in 1938 New York who tries to ignore the violent pogroms taking place in Germany. And later this summer he will reanimate Sigmund Freud in Terry Johnson's "Hysteria" in Bath.

机译：尼古拉斯·赖特（Nicolas Wright）在利特尔顿剧院（Lyttelton theatre）的“行进之光”中的木材商人雅各布·比内尔（Jacob binel），是安东尼·谢尔爵士（Sir Antony Sher）在不到十年的时间里从其他国家/地区签约的三个犹太角色中的第二个祖先。首先，他是菲利普·盖尔伯格（Phillip Gellburg）的作品，去年秋天在伦敦的三轮车剧院（Tricycle theatre）制作了亚瑟·米勒（Arthur Miller）的《破碎的玻璃》，这是一个受压抑的商人，于1938年在纽约尝试忽略在德国发生的暴力大屠杀。今年夏天晚些时候，他将在特里·约翰逊（Terry Johnson）的巴斯《歇斯底里》中重生西格蒙德·弗洛伊德（Sigmund Freud）。

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《The economist》 |2012年第8768期|p.84|共1页
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The screen at the end of the world

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