"Writing about music isn't espe-ciaily difficult," avers Alex Ross, the New Yorker's music critic, at the start of his new collection of essays. That sounds too modest. Mr Ross's history of music in the 20th century, "The Rest is Noise", published in 2007, is such a pleasure to read that it must have been hell to write. The same goes for these pieces, which are mostly reworked articles from his day job, ranging from Bjork to Brahms, and Radio-head to Verdi.
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