【24h】

Beating Boney

机译:击败博尼

获取原文
获取原文并翻译 | 示例
           

摘要

Walk into any major European art gallery and you are likely to see soldiers, cavalry and cannon spread across huge canvases. In some, the troops line out across the plain under the watchful gaze of a general. Others show the battle up close, often in a moment of conspicuous hero-ism-the capturing of a standard, say, or a cavalry charge. This genre dates from the period between the French revolution and the end of the Victorian era, but after that time it suddenly disappears, killed off by new, more scientific ways of writing history and by fundamental changes in how warfare was imagined. The battles that Tolstoy describes in "War and Peace", which was published in the late 1860s, were neither tidy nor heroic. Even less so were the muddied struggles of the first world war. Treating them as if they were suddenly seemed naive.
机译:走进任何一家主要的欧洲美术馆,您都可能会看到士兵,骑兵和加农炮散布在巨大的画布上。在某些情况下,部队在将军的注视下穿过平原。其他人则显示战斗是近距离进行的,通常是在明显的英雄主义时代-捕获标准兵力或骑兵冲锋。这种体裁可以追溯到法国大革命到维多利亚时代结束之间的时期,但是在那之后,这种体裁突然消失了,被新的,更科学的书写历史方式以及对战争想象的根本改变所摧毁。托尔斯泰在1860年代后期发表的《战争与和平》中描述的战斗既不整洁也不英勇。第一次世界大战的泥泞斗争就更是如此。像对待他们突然一样对待他们似乎天真。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号