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A genuine primitive

机译：真正的原始

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摘要

Samuel fuller, a director with an unusually independent cast of mind, had the good fortune to make his name at a time when Hollywood took risks on young turks with fire in their bellies, and the bad luck to watch his brand of guerrilla film making fall from favour long before his death, at 85, in 1997. Fuller's westerns, war pics and crime films of the 1950s and 1960s are raw, brutal fables involving marginal characters and low-lifes in a fearsome world of violence, revenge, prejudice and greed. His juveniles are delinquent, his soldiers unheroic and his pickpockets brave. J. Edgar Hoover, for one, was outraged by Fuller's hard-eyed, bottom-up view of things, made the more shocking by quickfire story-telling, dislocated viewpoints and cut-to-the-bone editing. Not for nothing was he known in the industry as Slam-Bam Sam. Andrew Sar-ris, a generous and discerning critic, praised him as an American primitive.
机译：导演塞缪尔·富勒（Samuel Fuller）具有非同寻常的独立心态，在好莱坞冒着肚子冒着火冒着年轻土耳其人的风险时，他的运气很不错，而不幸的是观看他的游击电影品牌倒闭于1997年去世，享年85岁。他在1950年代和1960年代的富勒斯的西部片，战争图片和犯罪电影都是原始的，残酷的寓言，涉及边缘人物和卑鄙的生活，这是一个可怕的暴力，复仇，偏见和贪婪的世界。他的少年犯罪，他的士兵们毫无英雄气概，他的扒手很勇敢。埃德加·胡佛（J. Edgar Hoover）一方面对富勒（Fuller）的刻苦眼光，自下而上的观点感到恼火，但由于速战速决的故事讲述，错位的观点和切切的骨头编辑而更加震惊。他在业内以Slam-Bam Sam闻名。慷慨有见识的批评家安德鲁·萨里斯（Andrew Sar-ris）称赞他是美国原始人。

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