首页> 外文期刊>The economist >Not in the head
【24h】

Not in the head

机译:不在头上

获取原文
获取原文并翻译 | 示例
           

摘要

Hans belting, a German art historian, is known for his striking and original theories about the nature of art, presented with a broad historical sweep. In "Likeness and Presence" (1994), the English edition of a German work which first appeared in 1985, Mr Belting questioned the character of the carved or painted images in the Christian period of art ending around 1400. Images are best explained, in Mr Belting's view, by what we use them for and how we think of them, two things which alter with time. In the Christian period, images were largely used, not for aesthetic pleasure or admiration, but for ritual and doctrinal purposes. His book, subtitled "A History of the Image Before the Era of Art", was held by some—not wholly misleadingly-to propose that Christian art was not really art.
机译:德国艺术史学家汉斯·贝尔丁(Hans Belting)以其关于艺术本质的惊人而新颖的理论而著称,并展现了广泛的历史风貌。在1985年首次出现的英文版德国作品《赞美与临在》(Likeness and Presence)(1994年)中,贝尔廷先生质疑在大约1400年左右的基督教艺术时期中雕刻或绘画的图像的特征。贝尔廷先生的观点是,根据我们的用途以及对它们的看法,这有两点会随着时间而变化。在基督教时期,图像被大量使用,不是为了审美愉悦或钦佩,而是为了仪式和教义。他的书的副标题为“艺术时代之前的图像历史”,有人(并非完全引起误解)持有,提出基督教艺术不是真正的艺术。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号