The increasingly stunning animation emerging from the United States (in films like "A Bug's Life" and "Toy Story 2") is, quite literally, child's play alongside the full-length animated films that have been pouring out of Japan since the early 1980s. Nothing could be farther from the comforting world of Bambi, where formulaic characters and storylines are never allowed to frighten or offend, than Japan's edgy, provocative, documentary-like "anime". One is eye-candy for kids; the other a demand ing rollercoaster of a ride for people of all ages willing to explore the outer limits of their fears and longings.
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机译：从字面上看，越来越多的令人惊叹的动画从美国出现（在《 A Bug's Life》和《 Toy Story 2》等电影中），从字面上看，儿童戏剧与从1980年代初开始涌入日本的全长动画电影一起出现。没有比日本这样前卫，挑衅，纪录片般的“动漫”更令人惬意的小鹿斑比世界了。在这里，公式化的角色和故事情节永远不会受到惊吓或冒犯。一种是儿童糖果。另一个要求所有愿意探索他们的恐惧和渴望的外部界限的人们的过山车。
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