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首页> 外文期刊>English >‘Moral Pornography’ and ‘Total Imagination’: The Pornographic in J. G. Ballard's Crash
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‘Moral Pornography’ and ‘Total Imagination’: The Pornographic in J. G. Ballard's Crash

机译:“道德色情作品”和“全面想象力”:J。G. Ballard的当下崩溃中的色情作品

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摘要

This article discusses pornographic elements in Crash, J. G. Ballard's controversial 1973 novel about ‘the perverse eroticism of the car-crash’, situating the novel in relation to the debate in Britain in the late 1960s and early 1970s about the availability of pornography. The text is seen as displaying many characteristics of pornographic representation, and its problematic depictions of sexualised violence are discussed. However, I argue that the text also parodies pornographic representations and critiques the sexual politics of contemporary culture, particularly the pornographic or voyeuristic sensibility created by the prevalence of technological representations and scientific thought-modes. The novel, I therefore suggest, can be read in terms of Angela Carter's controversial concept of a ‘moral pornography’. I conclude by considering, with reference to Susan Sontag's essay ‘The Pornographic Imagination’, how Ballard's ambiguous novel may also be seen as speaking to the possibilities of the pornographic imagination as a means of accessing extreme modes of consciousness.
机译:本文讨论了Crash,J. G. Ballard 1973年有争议的小说“车祸的反色情”中的色情内容,并将其与1960年代末和1970年代初期英国关于色情的可用性的辩论相关。该文本被视为具有色情内容的许多特征,并讨论了有关性暴力的问题描述。但是,我认为该文本还模仿了色情表现形式,并批评了当代文化的性政治,尤其是由技术表现形式和科学思维方式的盛行所产生的色情或偷窥敏感性。因此,我建议可以根据安吉拉·卡特(Angela Carter)有争议的“道德色情”概念来阅读这部小说。最后,我参考苏珊·桑塔格(Susan Sontag)的论文《色情想象力》(The Pornographic Imagination),来思考巴拉德的am昧小说如何也被视为在谈论色情想象力的可能性,以此作为进入极端意识形态的一种手段。

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    《English》 |2008年第218期|p.146-168|共23页
  • 作者

    Sam Francis*;

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