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Gallery

机译：画廊

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摘要

The following Gallery essay by Marguerite Shaffer examines four nudist photographs spanning the twentieth century to the present. We publish these texts because they illustrate an evolution in thinking about the historic relationship between the human body and the natural environment. One of these images, of a postwar nuclear family camping at a nudist resort in the Rocky Mountains, has been cropped to exclude a second young girl, facing the camera and standing near the family's camp stove, from the photograph. The author and several editors of Environmental History, myself included, were uncomfortable modifying this historical document. After much discussion and debate, however, we decided not to include this young girl because of her age and her positioning in the photograph, but instead to acknowledge her presence in the historic record here, in a special Gallery editor's note.
机译：接下来的玛格丽特·谢弗（Marguerite Shaffer）的画廊杂文研究了20世纪至今的四张裸体照片。我们出版这些文字是因为它们说明了人类与自然环境之间历史关系的思考演变。这些图像中有一个是战后在洛矶山脉的裸体主义者度假胜地安营扎寨的家庭的照片，经过裁剪后，照片中排除了第二个面对镜头并站在该家庭营火炉旁的年轻女孩。包括我本人在内的《环境史》的作者和几位编辑对修改此历史文献感到不自在。但是，经过大量讨论和辩论，我们决定不考虑这个小女孩的年龄和在照片中的位置，而是在特别的画廊编辑的注解中承认她在这里的历史记录中。

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