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Visibility and Invisibility of the Translator in H.A. Giles's A History of Chinese Literature

机译:译者在H.A中的可见性和隐形性。 吉尔斯是中国文学的历史

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摘要

The writing of literary history, generally speaking, is a matter of selecting and organizing literary works according to aesthetic judgement and historical values. If one writes the literary history of a foreign culture, however, at least if one wants to include samples of literary works, one must contend with the issue of translation, not only in the sense of having to choose which source texts to translate but also in that of choosing among existing translations or of translating oneself. The dual role of a historian and a translator is a challenging and complicated balancing act, as proven in the case of H.A. Giles (1845-1935), whose 1901 A History of Chinese Literature is the first Chinese literary history ever written in English. As one of the then leading sinologists in Europe, Giles had contributed tremendously to the dissemination of Chinese literature by way of smooth translations that appealed to his English readers, but which also formed an obstacle for the reader's proper understanding of the history of Chinese literature. The evidence for this comes from his misguided take on the dual aspects of visibility and invisibility of the translator's identity in writing about a foreign literature.
机译:一般来说,文学史的写作是根据审美判断和历史价值选择和组织文学作品的问题。然而,如果一个人写了一个外国文化的文学史,至少如果一个人想要包括文学作品的样本,那么必须与翻译问题争辩,不仅在不得不选择哪些源文本来翻译但也是如此在现有翻译或翻译自己的选择中。历史学家和翻译的双重作用是一个具有挑战性和复杂的平衡行动,如H.a的情况所证明。吉尔斯(1845-1935),1901年的中国文学史是第一个用英语写的中国文学史。作为欧洲的那种领先的汉学家之一,吉尔斯通过呼吁他的英国读者呼吁的顺利翻译,吉尔斯对中国文学传播,但这也为读者对中国文学史的正确理解形成了障碍。这取决于他误认为是译者在写作对外文学中的翻译人质的可见性和隐形的双重方面。

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  • 来源
    《European review》 |2021年第4期|523-533|共11页
  • 作者

    Zhuang Peina; Cao Yina;

  • 作者单位

    Sichuan Univ Coll Literature & Journalism 24 Yihuan Rd Chengdu 610064 Peoples R China;

    Sichuan Univ Coll Literature & Journalism 24 Yihuan Rd Chengdu 610064 Peoples R China;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
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