English Class

STEPHAN WILKINSON

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In a world of narcissistic supercars, Aston Martins remain as cool and elegant as they were back in the 1960s, when the James Bond connection brought the marque into sharp focus. Until then, it had been as widely known in the United States as German car company Borgward, which died in 1961. Even drivers who prefer origami Lamborghinis and classic Porsche 911s readily admit that Aston Martins are simply beautiful. In part that's because they are traditional front-engine, rear-drive cars, which allows design director Marek Reichman to score two goals at once. The first is achieving "purity of line," since cooling a front engine through a classic grille and ducting is more straightforward than forcing air through scoops and aero aids to an engine buried behind the passenger cabin. Then there's "the message of power and where it's delivered," as Reichman puts it. Astons have swelling J. Lo sterns that accentuate the rear wheels and unmistakably thrust the smooth cabin structure andrnlong hood forward, even when the car is standing still.

机译：在充满自恋的超级跑车世界中，阿斯顿·马丁（Aston Martins）仍然像1960年代一样酷炫而优雅，当时詹姆斯·邦德（James Bond）的联系使该品牌成为焦点。在那之前，它一直是在1961年去世的德国汽车公司博格沃德（Borgward）在美国广为人知。即使是喜欢折纸Lamborghinis和经典保时捷911的驾驶员也很容易承认，阿斯顿·马丁斯很漂亮。在某种程度上，这是因为它们是传统的前置引擎，后轮驱动汽车，这使得设计总监Marek Reichman可以同时打进两个目标。第一个是实现“线的纯度”，因为通过经典的格栅和管道冷却前部发动机比迫使空气通过铲子和空气辅助部件进入埋在乘客舱后面的发动机更直接。然后就是Reichman所说的“权力及其传递的信息”。阿斯顿（Aston）具有膨胀的J. Lo船尾，突出了后轮，即使在汽车静止不动的情况下，也可以毫无疑问地推动平稳的机舱结构和长引擎盖。

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《Forbes》 |2009年第5suppla期|6567|共2页
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STEPHAN WILKINSON;
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收录信息美国《科学引文索引》(SCI);
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(ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. (ed.), Catholicism and Anti-Catholicism in Early Modern English Texts , Macmillan, 1999, pp. xvii + 266, £47.50; ShellAlison, Catholicism, Controversy and the English Literary Imagination, 1558–1660 , Cambridge University Press, 1999, pp. xi + 309, £37.50.JamoussiZouheir, Primogeniture and Entail in England: A Survey of their History and Representation in Literature , Centre de Publication Universitaire, Tunis, 1999, pp. 293, 8 DT.MurphRoxane C., The English Civil War through the Restoration in Fiction: An Annotated Bibliography , Greenwood Press, Westport, CT., 2000, pp. viii + 349, £63.95.HammondPaul, Dryden and the Traces of Classical Rome , Clarendon Press, Oxford, 1999, pp. 305, £45.00.LevineJoseph M., Between the Ancients and the Moderns: Baroque Culture in Restoration England , Yale University Press, 1999, pp. xiv + 279, £27.50.TaylorAnya, Bacchus in Romantic England: Writers and Drink, 1780–1830 , Macmillan, 1999, pp. xi + 264, £47.50.MandellLaura, Misogynous Economies: The Business of Literature in Eighteenth-century Britain , University of Kentucky, 1999, pp. x + 228, $42.00.BainesPaul, The House of Forgery in Eighteenth-century Britain , Ashgate, 1999, pp. viii + 195, £47.50.MunnsJessica and RichardsPenny (eds), The Clothes that Wear Us , Newark, University of Delaware Press, 1999, pp. 362, £37.McCalmanIain (ed.), An Oxford Companion to the Romantic Age: British Culture, 1776–1832 , Oxford University Press, 1999, p. xii + 780, £85.BrydenInga and FloydJanet (eds), Domestic Space: Reading the Nineteenth-century Interior , Manchester University Press, 1999, pp. xii + 219, £40.00; KiddAlan and NichollsDavid (eds), Gender, Civic Culture and Consumerism: Middle-class Identity in Britain 1800–1940 , Manchester University Press, 1999, pp. xiv + 223, £46.00, pb. £14.99.SchadJohn Victorians in Theory: From Derrida to Browning , Manchester University Press, 1999, pp. x + 180, £40.MorseDavid, The Age of Virtue: British Culture from the Restoration to Romanticism , Macmillan, 2000, pp. viii + 330, £45.KlagesMary, Woeful Afflictions: Disability and Sentimentality in Victorian America , University of Pennsylvania Press, 1999, pp. 211, $36.50.OudittSharon, Women Writers of the First World War: An Annotated Bibliography , Routledge, 2000, pp. 230, £75; TyleeClaire with TurnerElaine and CardinalAgnes (eds), War Plays by Women: An International Anthology , Routledge, 2000, pp. 225, £16.99 pb.TaylorJohn A., Diana, Self-Interest, and British National Identity , Praeger, 2000, pp. 169, £44.95.EarnshawSteven, The Pub in Literature , Manchester University Press, 2000, pp. x + 294, £45 and £15.99 pb.KlausH. 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