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Materializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home

机译：体现后殖民地的地理：考察南亚家中移民的纹理景观

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摘要

This paper considers the role of visual cultures in understanding the value of landscape to post-colonial migrants living in Britain. The paper also considers these visual cultures as prismatic devices which refract lived landscapes of South Asia and East Africa into British domestic scene. The visual cultures are investigated using a materialist lens. They are positioned as materials that allow embodied connections to landscapes experienced pre-migration, including sensory connections with past homes, natures and family life. These then become artefacts symbolising relationships with past landscapes, made meaningful in their presence in Britain homes. Using this materialist lens, visual cultures in the British Asian home, such as photographs, pictures, and paintings, are given meaning and value beyond their textual content. This paper is an exercise in reading visual cultures in the everyday through a materialist lens which allows for an examination of their place in the process of 'making home' for South Asian women in Britain. In particular, objects presence the migratory experience of the South Asian community, importing 'other' landscapes (previously shaped by colonial governance) into Britain, and help to shape environmental values, landscape imaginaries and South Asian landscapes of belonging in the post-colonial period.
机译：本文考虑了视觉文化在理解景观对居住在英国的后殖民移民的价值中的作用。本文还将这些视觉文化视为棱柱形的装置，将南亚和东非的生活景观折射为英国的家庭景象。使用唯物主义的视角来研究视觉文化。它们被定位为可以与经历过迁移的景观实现具体联系的材料，包括与过去的住所，自然和家庭生活的感官联系。这些东西随后成为象征与过去景观的关系的人工制品，在它们出现在英国家庭中时变得有意义。使用这种唯物主义的视角，不但具有文字内容，而且赋予了英属亚洲家庭视觉文化，例如照片，图片和绘画。这篇文章是通过唯物主义的视角每天阅读视觉文化的一种练习，它可以检验他们在英国的南亚妇女“居家”过程中的地位。特别是，对象具有南亚社区的迁徙经验，将“其他”景观（以前是由殖民统治塑造的）引入英国，并有助于塑造环境价值，景观虚构和后殖民时期的南亚归属景观。

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