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Mozart Cosi fan tutte

机译:莫扎特如此粉丝所有

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摘要

Giochiam', says Don Alfonso, to set in motion Mozart's final collaboration with Lorenzo da Ponte: let's play a game. The nature of the game is a wager over feminine fidelity, laid with two soldiers to prove that, in the moral of the untranslatable title, 'all women are like that'.Thus Ferrando and Guilelmo, engaged to two sisters, must each court the other's fiancee in the guise of lovelorn Albanians as a day-long social experiment, and accept the consequences of deception and betrayal in the light of the opera's subtitle, 'The School for Lovers'.In the wake of the opera's successful first run in January 1790, interrupted by Emperor Leopold ll's passing which closed all the theatres in Vienna, there was no sign of the controversy which swirled around it throughout the 19th century and well into the 20th. Bourgeois audiences took exception to what they saw as da Ponte's amoral lyric genres (love duet, seduction scene, oneupmanship between both men and women), pitched precisely in the same key as the libretto. Take Ferrando's 'Un aura amorosa' from Act 1: only the context and the performer can tell us that this is no ordinary suave serenade.
机译:Giochiam'说,唐阿尔法索说,举办了Mote Mozart与Lorenzo da Ponte的最终合作:让我们玩游戏。游戏的性质是对女性忠诚的赌注,奠定了两个士兵,以证明,在不可思议的冠军的寓意中,“所有女性都是那样的。那么Ferrando和Guilelmo,与两个姐妹一起订婚,必须每个法院其他的未婚妻在Lovelorn Albanians的幌子中作为一天的社会实验,并根据歌剧的副标题,接受欺骗和背叛的后果,“恋人的学校”。在歌剧院在1月份的首次运行之后1790年,被皇帝Leopold LL的传球打断了,它在维也纳关闭了所有剧院,没有争论在整个19世纪周围遍布它,并进入20日。资产阶级观众对他们所看到的达佩特的无抒情歌词(爱二重奏,诱惑场景,两个男女之间的Oneupmanship)进行了例外,精确地在与歌词相同的钥匙上。从ACT 1采取Ferrando的'联合国Aurosa':只有背景和表演者可以告诉我们这不是普通的Suave Serenade。

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  • 来源
    《Hi-Fi News》 |2021年第9期|80-81|共2页
  • 作者

    Peter Quantrill;

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