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The selfie and the transformation of the public-private distinction

机译：自拍照与公私区分的转变

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摘要

The selfie is a contemporary form of self-portraiture, representing a photographic image of the human face. The selfie is created for the purpose of reproduction and to communicate images visually with others from a distance. The proliferation of web 2.0 technologies and mobile smart phones enables users to generate and disseminate images at an unprecedented scale. Coupled with the increasing popularity of social media platforms, these technologies allow the selfie to be distributed to a wide audience in close to real time. Drawing upon Erving Goffman's approach to the study of face-to-face social interaction, this article presents a discussion of the production and consumption of the selfie. We draw upon Goffman's dramaturgical approach, to explore how the 'presentation of self occurs in the context of a selfie. Next, we consider how the selfie as a form of visual communication holds critical implications for mediated life online as individuals go about doing privacy. We conclude by reflecting on the role of the selfie and its impact on the boundaries between public and private domains in contemporary social life.
机译：自拍照是当代形式的自我描述，代表人脸的摄影图像。自拍的创建目的是为了进行复制，并与远方的其他人视觉上交流图像。 Web 2.0技术和智能手机的激增使用户能够以前所未有的规模生成和传播图像。加上社交媒体平台的日益普及，这些技术允许将自拍照几乎实时地分发给广泛的受众。本文基于Erving Goffman研究面对面社会互动的方法，对自拍照的生产和消费进行了讨论。我们借鉴了戈夫曼的戏剧化方法，以探索“自我表现在自拍照的背景下如何发生”。接下来，我们考虑自拍作为一种视觉交流形式，如何随着个人开始做隐私而对在线媒介生活产生至关重要的影响。最后，我们通过反思自拍照的作用及其对当代社会生活中公共和私人领域之间边界的影响。

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