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The voice of lived experience: mobile video narratives in the courtroom

机译：现场体验的声音：法庭上的移动视频叙事

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摘要

Video is overtaking other modes of communication in new media. Whether from a smartphone, a wearable device or surveillance camera, video is being made, stored and shared in unprecedented ways. Once the exclusive territory of institutions becomes large enough to finance video production and its storytelling power, technology's contemporary democratization is changing the landscape of visual narrative. This project explores the discursive nature of video based on a case study of a courtroom trial that was both about the legality of filming crime scenes and the evidentiary use of videos from crime scenes. This unique intersection of surveillance, counter-surveillance, word and image, body and text allows for deeper understanding of how video serves human purposes. Based on ethnographic fieldwork and textual analysis, we build upon Walter Fisher's narrative paradigm by identifying significant attributes of unedited, evidentiary video that distinguish it from other forms of visual documentation. Raw video's hard-edged timeline presents narrative coherence in a way that resists discursive contextualization. This has important implications for public policy and citizen-generated video evidence.
机译：视频正在取代新媒体中的其他通信方式。无论是通过智能手机，可穿戴设备还是监控摄像头，都可以以前所未有的方式制作，存储和共享视频。一旦机构的专有领域足够大，足以资助视频制作及其讲故事的力量，技术的当代民主化就改变了视觉叙事的格局。该项目基于法庭审判的案例研究，探讨了视频的话语性质，该案例既涉及拍摄犯罪现场的合法性，又涉及犯罪现场视频的证据使用。监视，反监视，单词和图像，身体和文本的这种独特的交集使您可以更深入地了解视频如何达到人类目的。基于人种学的田野调查和文本分析，我们通过确定未编辑的证据视频的重要属性（将其与其他形式的视觉文档区别开），以沃尔特·费舍尔的叙事范式为基础。原始视频的硬边时间线以抵抗话语上下文的方式呈现了叙事的连贯性。这对公共政策和公民生成的视频证据具有重要意义。

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