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The filtered self: selfies and gendered media production

机译：过滤的自我：自拍和性别媒体生产

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In 2013, the Oxford English Dictionary selected 'selfie' as the word of the year. Since that time, selfies have been much discussed in the media and increasingly in academia. Selfie culture is gendered not only because women take more selfies than men but also because women's selfie-taking is both criticized (as narcissistic) and defended (as empowering) on feminist grounds. In this paper, we draw upon the existing literature on selfies as well as 260, short 'person-on-the-street' interviews with young people (mostly Latinas, mostly in California) about their selfie-taking practices to demonstrate that selfies are indeed a gendered genre and an important if the overlooked form of gendered media production in a postfeminist context. The data reveal the disciplinary function of the narcissism narrative for young women, their navigation of gendered and sexual double-standards as well their understandings of 'publicness' when posting selfies, their ambivalence about feedback, and their commitment to individualized notions of empowerment realized through 'control' of the gaze. We argue that self-production is never simply about the self because cultural filters are at work that shape in systematic ways how women envision and enact female subjectivity and visibility. Our goal is not to determine whether selfies are good or bad; rather, we explore what they suggest about the gendered politics of self-production for young women of color in the new 'gaze economy' of social media.
机译：2013年，牛津英语词典选择了“selfie”作为年度的话。从那时起，媒体和学术界越来越多地讨论了自我。自拍照文化不仅是因为女性比男性更多的自拍照，而且因为女性的自我审议是批评（作为自恋）和对女权主义理由的辩护（作为赋权）。在本文中，我们借鉴了现有的自拍文献，以及260年，与年轻人（大多数拉丁美洲，大多在加利福尼亚州）关于他们的自拍照实践，以证明自拍照的习惯实际上，如果在后资源主义的背景下，如果在后资本主义环境中忽视了性别媒体生产的被忽视的形式，那么重要的类型。这些数据揭示了年轻女性的自恋叙事的纪律函数，他们的性别和性双重标准的导航，也是在发布自我时，他们对“公共安”的理解，他们对反馈的矛盾，以及他们对赋权的个性化概念的承诺凝视的“控制”。我们认为，自我生产从未简单地是对自我的，因为文化过滤器以系统化的方式在塑造方面，女性想象和制定女性主体性和可见性。我们的目标不是确定自拍照是好还是坏;相反，我们探讨了他们对社交媒体新“凝视经济”中的年轻女性的自我生产的性别政治的建议。

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