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首页> 外文期刊>International Communication of Chinese Culture >Music as a necessary means of moral education: a case study from reconstruction of Confucian culture in Joseon Korea
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Music as a necessary means of moral education: a case study from reconstruction of Confucian culture in Joseon Korea

机译：音乐是德育的必要手段：以韩国朝鲜儒家文化重建为例

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This paper explores Confucian musical discourse as a valuable resource for mapping out contemporary culture. Stimulated by the advent of emerging music in pre-Qin period, wide and various debates resulted in exceptional emphasis on music, unparalleled in the world history. Music has been regarded as an indispensable part of Confucian moral education, not only for cultivating human nature but also for bringing up orderly society. This view promoted the concept of music closely combined with state rituals. Historically, music in this light has been a symbol of continuity of Confucian political ideal in the dynasties of China and of other East Asian countries such as Korea, Japan, and Vietnam. While those state-led productions of music contributed to the solidarity of the communities, they often exposed discrepancies between musical theories and practices. The reconstruction of Confucian ritual music in Joseon Korea is a worthwhile case of Confucian musical discourse, because it shows continuing significance in the following points. Firstly, the sources of ancient music were thoroughly reviewed and the revival of Confucian musical ideal was accordingly experimented. Secondly, the problematic phenomenon of theory overriding musical reality came into question and brought about heated controversy over the qualification for Joseon court music between Sino-Korean music and indigenous music. Thirdly, Joseon Confucian thinkers reexamined the following questions which had been taken for granted: Why can music be regarded as a necessary means of moral education? And which music is such music? Through this successful retrieval, they could keep Confucian musical discourse alive.
机译：本文探讨了儒家音乐话语作为绘制当代文化的宝贵资源。在先秦时期新兴音乐的出现刺激下，广泛而多样的辩论导致人们对音乐的特别重视，这在世界历史上是无与伦比的。音乐一直被认为是儒家道德教育不可或缺的一部分，不仅是为了培养人性，而且是为了促进有序的社会。这种观点促进了音乐概念与国家仪式的紧密结合。从历史上看，音乐一直是中国王朝和朝鲜，日本和越南等东亚国家王朝政治思想连续性的象征。虽然这些由国家主导的音乐作品为社区的团结做出了贡献，但它们经常暴露出音乐理论与实践之间的差异。在朝鲜朝鲜儒家仪式音乐的重建是儒家音乐话语的一个有价值的例子，因为它在以下几点上显示出持续的意义。首先，对古代音乐的来源进行了全面的回顾，并相应地尝试了儒家音乐理想的复兴。其次，在理论上凌驾于音乐现实之上的现象受到质疑，并引起了中韩音乐与本土音乐之间朝鲜法院音乐资格的激烈争论。第三，朝鲜儒家思想家们重新审视了以下已被视为理所当然的问题：为什么音乐可以被视为道德教育的必要手段？那是什么音乐呢？通过这次成功的检索，他们可以保持儒家音乐话语的活力。

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