Reading Salute: Filmic Representations of Sports History

Gary Osmonda*; Murray G. Phillipsa

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Reading Salute: Filmic Representations of Sports History

机译：阅读致敬：体育史的电影表现形式

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The Black Power Salute protest by athletes John Carlos and Tommie Smith on the medal dais during the 1968 Mexico City Olympic Games, supported by silver-medallist Peter Norman, has been recognised as a seminal moment in sports history, Olympic history and race relations. This article examines the filmic history of this event as represented in Salute, a 2008 film documentary. We argue that understanding contemporary films requires more than an analysis of on-screen representations and is vastly enriched through embracing the ways in which films are circulated between producers, directors, advertisers, merchandisers and audiences. Accordingly, this article combines a textual analysis of Salute with an exploration of how new media influence the dissemination, reception and consumption of the film. The textual analysis explores Salute as a documentary film biography through dominant narratives and documentary strategies that characterise this genre of filmic history. Associated new media are considered from two perspectives: how they facilitate the active intervention of the film-maker in the reception of a film, and how new media provide opportunities for audience interactivity with films and film-makers. Linking new media with a textual analysis of Salute provides insights into the ways in which the past is circulated in the present.View full textDownload full textKeywordsaudience studies, Black Power Salute, blogs, film, internet, new media, Peter Norman, 1968 Mexico City Olympics, YouTubeRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/09523367.2011.577639

机译：由银牌得主彼得·诺曼（Peter Norman）支持的1968年墨西哥城奥运会上，运动员约翰·卡洛斯（John Carlos）和汤米·史密斯（Tommie Smith）举行的“黑人权力礼炮”抗议活动被认为是体育史，奥林匹克历史和种族关系中的重要时刻。本文考察了2008年电影纪录片Salute中代表该事件的电影历史。我们认为，理解当代电影不仅仅需要分析屏幕上的表现形式，而且通过拥抱电影在制片人，导演，广告商，商人和观众之间的流通方式而得到了极大的丰富。因此，本文结合了对“致敬”的文字分析，并探讨了新媒体如何影响电影的传播，接受和消费。文本分析通过占主导地位的叙事方式和纪录片策略，将“敬礼”作为纪录片电影传记加以探讨，这些叙事都是电影史类型的特征。从两个角度考虑了相关的新媒体：它们如何促进电影制片人积极参与电影的摄制，以及新媒体如何为观众与电影和制片人的互动提供机会。将新媒体与Salute的文本分析联系起来，可以洞悉过去的传播方式。奥林匹克运动会，YouTube相关的var addthis_config = {ui_cobrand：“泰勒和弗朗西斯在线”，servicescompact：“ citeulike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg，google，更多”，发布日期：“ ra-4dff56cd6bb1830b”} ;添加到候选列表链接永久链接http://dx.doi.org/10.1080/09523367.2011.577639

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《The International Journal of the History of Sport》 |2011年第10期|p.1463-1477|共15页
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Gary Osmonda*; Murray G. Phillipsa;
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Reading Salute: Filmic Representations of Sports History

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