首页> 外文期刊>The International Journal of Psychoanalysis >THE LITTLE MERMAID: AN ICON OF WOMAN'S CONDITION IN PATRIARCHY, AND THE HUMAN CONDITION OF CASTRATION
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THE LITTLE MERMAID: AN ICON OF WOMAN'S CONDITION IN PATRIARCHY, AND THE HUMAN CONDITION OF CASTRATION

机译:小美人鱼:父权制中妇女的状况和人为堕落的状况

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摘要

Hans Christian Andersen's story 'The Little Mermaid' is read as a creation myth and a metaphor for woman's condition in patriarchy, broadly conceptualised within a Lacanian framework. In the first part, the psychoanalytic concept of castration (broadly conceptualised as containing any existential severance which forms the basis for sexual difference and subjectivity) is utilised to argue that the myth is about a construction of (mostly female) subjectivity through a series of separations or splits: (I) birth, (2) growing up, (3) desire and (4) death. Birth and death are read as representing real separations. Growing up is read as structured around a symbolic castration of tongue and voice, while desire is read as structured around lack. In the second part the ideological implications of Disney's adaptation of the original for its symbolic status are explored. It is argued that by simplifying and externalising internal complex conflicts in the Andersen story, Disney's version reduces the myth to a fairy tale, and reproduces the ideology of romantic love.
机译:汉斯·克里斯蒂安·安徒生(Hans Christian Andersen)的故事“小美人鱼”被解读为创世神话,是女性在父权制中的处境的隐喻,在拉康主义的框架内得到了广泛的概念化。在第一部分中,去势症的心理分析概念(广义上被概念化为包含构成性别差异和主观性基础的任何存在的遣散),被认为是神话是关于通过一系列分离来构造(主要是女性)主观性的或分裂:(I)出生,(2)长大,(3)欲望,(4)死亡。生与死被理解为代表真正的分离。长大被理解为围绕象征性的舌头和声音的cast割,而欲望被理解为围绕缺乏的结构。在第二部分中,探讨了迪斯尼改编原著的象征地位的思想意义。有人认为,通过简化和外部化安徒生故事中的内部复杂冲突,迪斯尼的版本将神话简化为童话,并再现了浪漫爱情的意识形态。

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