首页> 外文期刊>The International Journal of Psychoanalysis >THE YIDDISH THEATRE, THE OKLAHOMA THEATRE AND KAFKA'S SALVATION
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THE YIDDISH THEATRE, THE OKLAHOMA THEATRE AND KAFKA'S SALVATION

机译:耶德迪剧院,俄克拉荷马剧院和卡夫卡的救助

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摘要

The author discusses Kafka's enthralment with the Yiddish theatre, which performed in Prague in the autumn and winter of 1911. Examination of Kafka's 'Diaries' suggests that an important factor in this response was his infatuation with two actresses. They evoked fantasies of avoiding oedipal conflict by surrendering adult male sexuality and its threat of castration by regressing to a prephallic relationship with a maternal woman who would provide a nurturing relationship. Later, when writing the final chapter of his novel 'Amerika' in 1914, he creatively expressed a derivation of this fantasy when the protagonist, Karl Rossman, achieved a sort of salvation by joining the Oklahoma theatre. In the final year of his life Kafka was able to leave home to live with a woman, and in this achievement he fulfilled aspects of this fantasy.
机译:作者与1911年秋冬季在布拉格举行的意第绪剧院讨论了卡夫卡的入场仪式。对卡夫卡的《日记》的审查表明,对此作出回应的一个重要因素是他对两位女演员的痴迷。他们引起了幻想,放弃了成年男性的性行为而避免了恋母癖冲突,并退缩了与将提供养育关系的孕妇的恋爱关系,从而放弃了去势的威胁。后来,当主角卡尔·罗斯曼(Karl Rossman)通过加入俄克拉荷马州剧院获得某种救赎时,他在1914年撰写小说《美利坚》的最后一章时,创造性地表达了这种幻想。卡夫卡(Kafka)在生命的最后一年能够离开家与一个女人住在一起,并在这项成就中实现了这种幻想。

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