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From the 'Mutual Illumination of the Arts' to 'Studies of Intermediality'

机译：从“艺术的共同照明”到“中介研究”

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This article offers an overview of the development of the interdisciplinary study of the interrelations of the arts and media during the past one-hundred years. From a focus on the binary relations of literature and the visual arts, music, and film these investigations turned into what came to be called “Interarts Studies” with a new tendency to include the interrelations of non-verbal arts and also to study configurations of a decidedly non-artistic nature. In the 1990s this would lead to the reconception of the arts as well as the applied arts and some non-artistic genres as media and their interrelations as intermediality. Simultaneously there began full-fledged attempts to construct a theoretical foundation for the study of intermediality (and transmediality) as a humanistic field, emphasizing media combination, intermedial reference, and intermedial transposition, especially adaptation. This article highlights developments in the German- and English-language discourse on these matters.
机译：本文概述了过去一百年来艺术与媒体之间相互关系的跨学科研究的发展。从对文学与视觉艺术，音乐和电影的二元关系的关注，这些研究变成了后来被称为“ Interarts Studies”的新趋势，其中包括非语言艺术的相互关系，也研究了语言艺术的结构。绝对非艺术性质。在1990年代，这将导致人们重新认识艺术，应用艺术以及一些非艺术流派，将它们作为媒介，并将它们之间的相互关系作为媒介。同时，人们开始进行全面的尝试，为作为人文领域的中间性（和中间性）研究奠定理论基础，强调媒体组合，中间参考和中间转置，尤其是适应性。本文重点介绍了德语和英语在这些问题上的论述。

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