首页> 外文期刊>International journal of signs and semiotic systems >Navajo Weavings in John Ford Westerns: The Visual Rhetoric of Presenting Savagery and Civilization
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Navajo Weavings in John Ford Westerns: The Visual Rhetoric of Presenting Savagery and Civilization

机译:约翰·福特·西部片中的纳瓦霍人编织:呈现野蛮与文明的视觉修辞

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This article describes how although placed in the periphery or backgrounds of many scenes, Navajo weavings are central to the presentation of the spectacle of wilderness, savagery, warfare, heroism, and salvation in many of John Ford's westerns. In this article, the authors examine specific examples of visual rhetoric in two of Ford's westerns: Stagecoach and The Searchers. They articulate how Navajo weavings constitute a strategic component of set designs and have consequences for viewers' expectations and understandings of these films. These weavings are key elements of a powerful visual rhetoric in Ford's films.
机译:这篇文章描述了尽管放置在许多场景的外围或背景中,纳瓦霍人的编织在约翰·福特的许多西方人中展现荒野,野蛮,战争,英雄主义和救赎的奇观的中心。在本文中,作者研究了福特西部片中的两个西方人的视觉修辞的具体例子:驿马车​​和搜寻者。他们阐明了纳瓦霍人的编织如何构成布景设计的战略组成部分,并如何影响观众对这些电影的期望和理解。这些编织是福特电影中强大的视觉修辞的关键元素。

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